Lenses

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Jump to:  Cinema Primes – Cinema Zooms – Specialty Lenses – AF and Hybrid Lenses – Lens Adapters

Cinema Prime Lenses

Fixed focal length primes are rented in sets of three or more. Talk to us for a quote on a lens package to meet your needs!

ZEISS Supreme Primes

Zeiss Supreme Prime lenses are designed for cinematic large-format sensor coverage, making them the ideal choice for current and future camera systems. The unique quality of the Supreme Prime lenses is a gentle sharpness that renders a crisp but organic look, especially when capturing crucial textures such as skin tones, ensuring the freedom to create the look you want to achieve. At T1.5, the Zeiss Supreme Primes demonstrate their unsurpassed craftsmanship in tricky low-light environments.

Details and Pricing

PL Mount - Full Frame+ coverage

List Price	Daily Rate	Weekly Rate
Supreme Prime 6-Lens Set	$950	$2850

Focal Lengths	Aperture	Minimum Focus	Front Diameter
25mm	T1.5	10"	95mm
29mm	T1.5	13"	95mm
35mm	T1.5	13"	95mm
50mm	T1.5	18"	95mm
85mm	T1.5	2' 9"	95mm
100mm	T1.5	3' 9"	95mm

The Arri/Zeiss 180mm T1.9 Ultra Prime illuminates the entire full-frame image area, and is available separately to complement a Supreme Prime lens set.

 

Tokina Vista Cinema Primes

Tokina's Vista Cinema primes are modern, high-resolution optics that distinguish themselves by having virtually zero breathing. Minimized distortion and low chromatic abberations make them well-suited for the latest 8K sensors. With a 46.7mm image circle, the Vista Prime lenses cover nearly every digital cinema imaging sensor on the market.

Details and Pricing

PL Mount - Full Frame+ coverage

List Price	Daily Rate	Weekly Rate
Tokina Vista Prime 6-Lens Set	$900	$2700

Focal Lengths	Aperture	Minimum Focus	Front Diameter	Weight
18mm	T1.5	18"	114mm	6.2 lbs
25mm	T1.5	14"	114mm	5.1 lbs
35mm	T1.5	16"	114mm	4.6 lbs
50mm	T1.5	19"	114mm	5.0 lbs
85mm	T1.5	38"	114mm	5.1 lbs
135mm	T1.5	4' 7"	114mm	6.9 lbs

 

Mamiya-Sekor 645 – PL Mount

In designing a complete line of lenses for professional medium-format stills photography, Mamiya unintentionally created an excellent set of vintage large-format cinema glass. Their consistent quality, performance, and color matching across a wide range of focal lenths – 15 prime lenses – makes them ideal candidates for motion picture use.

Our in-house conversion adds cinema standard 0.8 mod focus gears, hard PL mounts for most lenses, 80mm fronts, and a few other special touches to make them ready for production.

Details and Pricing

PL Mount - Full Frame+ coverage

Standard Focal Lengths	Aperture	Minimum Focus	Front Diameter
24mm Fisheye	f/4.0	1 ft	100mm
35mm	f/3.5	1.5 ft	80mm
45mm	f/2.8	1.5 ft	80mm
55mm	f/2.8	1.5 ft	80mm
70mm	f/2.8	2.6 ft	80mm
80mm	f/2.8	2.25 ft	80mm
110mm	f/2.8	4 ft	80mm
150mm	f/3.5	5 ft	80mm
210mm	f/4.0	8 ft	80mm
Macro Lenses	Aperture	Minimum Focus	Front Diameter
80mm Macro	f/4.0	1.25 ft 1:1 with spacer	80mm
120mm Macro	f/4.0	1:1 @ 1.32 ft	80mm

Our Mamiya 645 Macro lenses retain their original mounts to preserve compatibility with the dedicated Macro Spacer extension tube, and are rented with PL or LPL adapter as needed.

Special Lenses	Aperture	Minimum Focus	Front Diameter	Notes
80mm	f/1.9	2.25 ft	80mm
50mm SHIFT	f/4.0	1 ft	80mm	up to 16mm shift for perspective control
145mm Soft Focus	f/4.0	5 ft	80mm	Variable image control from sharp to dreamy
200mm APO	f/2.8	8 ft	80mm	Exceptional telephoto lens

List Price	Daily Rate	Weekly Rate
Mamiya 645 6-lens Set	$call	$call
Mamiya 645 10-lens Set	$call	$call
Mamiya 645 Macro Set	$call	$call
Mamiya 645 Complete Set	$call	$call

We're happy to create a custom set based on your needs – just drop us a line.

 

Arri/Zeiss Ultra Primes

With the Ultra Prime series, Arri and Zeiss set new optical and mechanical standards for cinema lenses. Matching color rendition and contrast across the entire focal range, uniform mechanical characteristics from one lens to another, and optics designed to look their best at close distances rather than infinity are among the innovations of the Ultra Prime range. See for yourself why Ultra Primes have been among the most popular lenses for almost 20 years.

Details and Pricing

PL Mount - Super 35+ coverage

List Price	Daily Rate	Weekly Rate
Ultra Prime 3-Lens Set	$300	$900
Ultra Prime 8-Lens Set	$750	$2250
Ultra Prime Custom Set	call	call

14mm and 180mm Ultra Primes are available for an additional cost.

Focal Lengths	Aperture	Minimum Focus	Front Diameter
14mm	T1.9	9"	114mm
16mm	T1.9	1'	95mm
24mm	T1.9	1'	95mm
28mm	T1.9	1'	95mm
32mm	T1.9	1' 3"	95mm
50mm	T1.9	2'	95mm
65mm	T1.9	2' 3"	95mm
85mm	T1.9	3'	95mm
180mm	T1.9	8' 6"	114mm

 

Zeiss Standard Speeds Mk II

As bona-fide classics, Zeiss Standard Speeds hardly need introduction; countless stunning images have passed through this glass. Considered modern optical designs when unveiled in the 1960s, today these vintage classics render images that evoke many of the most celebrated cinematic works of the 20th century. With the mechanical improvements achieved in the mid-1980s Mark II housings, Standard Speeds continue to be dependable workhorse lenses to this day.

Details and Pricing

PL Mount - Super 35 coverage

List Price	Daily Rate	Weekly Rate
Standard Speed 5-Lens Set	$250	$750
Standard Speed 9-Lens Set	$500	$1500
Standard Speed Custom Set	call	call

300mm T3.0 is available for an additional cost.

Focal Lengths	Aperture	Minimum Focus	Front Diameter
16mm	T2.1	close-focus mod.	80mm
24mm	T2.1	close-focus mod.	80mm
28mm	T2.1	11"	80mm
32mm	T2.1	close-focus mod.	80mm
40mm	T2.1	1' 4"	80mm
50mm	T2.1	1' 6"	80mm
85mm	T2.1	3'	80mm
100mm	T2.1	3' 4"	80mm
135mm	T2.1	5'	80mm
300mm	T3.0	-	-

 

Canon CN-E Primes

Canon brought their long history of optical design to bear when conceiving the CN-E cinema prime lenses. Created with high-resolution digital sensors in mind, CN-E primes feature the warm rendition and vivid contrast for which Canon glass widely is known, within a modern and reliable mechanical design optimized for the fast pace of 21st-century productions.

Details and Pricing

EF Mount - Full Frame

List Price	Daily Rate	Weekly Rate
CN-E Prime 3-Lens Set	$150	$450
CN-E Prime 6-Lens Set	$300	$900
CN-E Prime Custom Set	call	call

Focal Lengths	Aperture	Minimum Focus	Front Diameter
14mm	T3.1	8"	114mm
20mm	T1.5	12"	114mm
24mm	T1.5	12"	114mm
35mm	T1.5	12"	114mm
50mm	T1.3	18"	114mm
85mm	T1.3	3' 2"	114mm
135mm	T2.2	3' 3"	114mm

 

Telephoto Cinema Lenses

Lens	Mount	List Price
Canon FD 300mm f/2.8	PL	call
Zeiss 300mm T3.0	PL	call
Zeiss Mutar 2x teleconverter	PL	call

 

 

Cinema Zoom Lenses

Canon Flex Full-Frame Zooms

Canon Flex Zoom lenses are built to impeccable standards and are designed to work seamlessly together, with identical weight, dimensions, focus gears and front diameter. 8K-ready optical performance, fast stop, superb color rendition, and range: from 20mm to 135mm, these two lenses cover an entire set of full-frame focal lengths.

Details and Pricing

PL Mount - Full Frame coverage

List Price	Daily Rate	Weekly Rate
Canon CN-E 20-50mm T2.4 L FP	call	call
Canon CN-E 45-135mm T2.4 L FP	call	call

Focal Length	Aperture	Minimum Focus	Front Diameter
20-50mm	T2.4	24"	114mm
45-135mm	T2.4	3.3'	114mm

 

Canon CN-E Studio Zooms – 30-300mm, 14.5-60mm

Canon's flagship cinema zoom lenses distinguish themselves with optical performance that's outstanding in every way, while also being among the lightest and physically smallest in their respective classes. The CN-E 14.5-60mm showcases remarkable image quality with minimal breathing or distortion, and a consistent T2.6 aperture across its zoom range. The CN-E 30-300mm features similar optical excellence while maintaining a T2.95 stop from 30mm to 240mm, before ramping gradually to T3.7 over the remaining 60mm. Focus, iris, and zoom gear rings share common position and size across the two lenses; with identical front diameters, swapping from one studio zoom to the other requires only minimal adjustment.

Details and Pricing

PL or EF Mount - Super 35 coverage - studio rod support required

List Price	Daily Rate	Weekly Rate
CN-E 14.5-60mm T2.6 L SP	$550	$1650
CN-E 30-300mm T2.95-3.7 L SP	$550	$1650

Focal Lengths	Aperture	Minimum Focus	Front Diameter
14.5-60mm	T2.6	2' 4"	136mm
30-300mm	T2.95-3.7	5'	136mm

 

Canon CN-E Lightweight Zooms – 15.5-47mm, 30-105mm

Canon Cinema Compact Zoom lenses offer excellent image quality in a small, light-weight form factor ideal for high mobility and confined spaces. With constant T2.8 apertures, focal-lenth changes require no adjustments to lighting or filtration. Like all other lenses in the CN-E series, these zooms feature uniform contrast and color balance, minimal breathing, and low distortion. Focus, iris, and zoom gear ring positions are matched between both lightweight zooms so that lens swaps need minimal time and effort.

Details and Pricing

PL or EF Mount - Super 35 coverage

List Price	Daily Rate	Weekly Rate
CN-E 15.5-47mm T2.8 L SP	$295	$885
CN-E 30-105mm T2.8 L SP	$295	$885

Focal Lengths	Aperture	Minimum Focus	Front Diameter
15.5-47mm Compact	T2.8	1' 8"	114mm
30-105mm Compact	T2.8	2'	114mm

 

Canon Compact-Servo Zooms – 18-80mm, 70-200mm

Canon's parfocal Compact-Servo lenses prioritize size and mobility, with each lens weighing in at less than 3 pounds. Image stabilization and autofocus (with compatible cameras) are built in to assist solo operators in uncontrolled or unscripted environments, while integrated servo drive units offer both handheld control and compatiblity with broadcast lens controllers. The 18-80mm covers the most commonly used focal range with just one lens, while the 70-200mm provides for the most popular telephoto focal lengths.

Details and Pricing

EF Mount - Super 35 coverage

List Price	Daily Rate	Weekly Rate
COMPACT-SERVO 18-80mm T4.4	$95	$285
COMPACT-SERVO 70-200mm T4.4	$95	$285

Focal Lengths	Aperture	Minimum Focus	Front Diameter
18-80mm	T4.4	1' 9"	84mm
70-200mm	T4.4	4'	84mm

 

 

 

Specialty Lenses

We may have some unlisted lenses lurking in the back corners of our storage – ask us if there's something particular you're looking for.

TLS Petzval Lenses

Petzval lenses are widely known for rendering a sharp central image with noticeably "swirly" backgrounds. As re-housed by TLS, these lenses can be incorporated into a regular cinema production workflow, with backlash-free gears for accurate, repeatable focus throws and iris pulls, as well as common front diameters for matte box compatibility.

Details and Pricing

PL mount - Full Frame coverage

List Price	Daily Rate	Weekly Rate
TLS Petzval Lens Set	$300	$900

Focal Length	Aperture	Minimum Focus	Front Diameter
58mm	T2.1	2'	110mm
85mm	T2.3	2' 10"	110mm

 

Lensbaby Movie Maker's Kit II

Lensbaby is famous for their unconventional optics, and with the Movie Maker's Kit they've put together a compre­hensive package for unique creative effects in motion. The Composer Pro II can tilt from 0° to 15°, with a separate ring for focus. The interchangeable Optic Swap system allows for quick changes between focal lengths and effects - the "Sweet" optics deliver a central spot in focus with rapid fall-off, while the "Edge" optics have a flat field of focus that becomes a narrow slice whenever the optics are tilted.

Details and Pricing

EF or PL mount - Full Frame coverage*

List Price	Daily Rate	Weekly Rate
Lensbaby Movie Maker's Kit II	$115	$345

Focal Lengths	Aperture	Minimum Focus	Filter Thread
Sweet 35	f2.5	7.5"	46mm
Sweet 50	f2.5	15"	46mm
Edge 50	f3.2	8"	46mm
Edge 80	f2.8	19"	46mm

 

Venus Laowa 24mm f/14 Probe 2X Macro - Cine EF

Calling this their "weirdest but most genius macro lens ever," Laowa's 24mm probe lens has a wide-angle view and focuses from infinity to less than 1 inch from the front of the lens, providing a unique and incredible perspective. With a narrow, 15.7" long barrel, this lens can go where almost any other can't. An integrated LED ring light at the front of the lens can be used to illuminate close-up subjects if lighting is other­wise impossible. This "Cine-mod" version has standard-pitch gears on the focus and iris rings.

Details and Pricing

EF Mount - Super 35 coverage

List Price		Daily Rate	Weekly Rate
Venus Laowa 24mm f/14 Probe 2X Macro Cine		$50	$150
Focal Length	Aperture	Min. Working Distance	Front Diameter
24mm	f/14 - f/40	20mm (0.8")	20mm

 

Canon Tilt Shift

Take ultimate control of your compositions – make the depth of field exceptionally shallow, or apparently infinite; or, simply add a subtle shift of perspective to beguile and intrigue your viewer.

Details and pricing

TS-E 24mm f/3.5L II	EF mount manual focus	$55/day	$165/week
TS-E 90mm f/2.8L Macro	EF mount manual focus	$55/day	$165/week

 

 

Autofocus and Hybrid Lenses

With the contining evolution of digital cinema technologies, there's more overlap than ever between stills, video, and traditional filmmaking methods. Modern hybrid lenses can operate flexibly for multiple styles and modes of content production.

Canon 15-35mm f/2.8 - RF Mount

Canon 24-105mm f/4 - RF Mount

Canon 100mm f/2.8L Macro IS USM - EF mount

Sony FE 24-105mm f/4 G OSS - E mount

 

 

Lens Adapters

Here in the year 2024, we are free from the limits of ancient mechanical lens linkages, and now have the ability to convert lenses between camera systems as we wish. Join us, in this glorious digital future! Use whichever lens you like, on whatever camera you prefer!

Laowa PL-mount Full-Frame Expander 1.4x
Laowa PL-mount 1.33 Anamorphic Adapter
Canon RF camera to EF lens
Canon RF camera to EF lens 0.71x reducer
RF camera to PL mount lens
E-mount camera to EF-mount lens
E-mount camera to PL mount lens
M4/3 camera to PL mount lens
PL-mount camera to M645 lens
LPL-mount camera to M645 lens

If you have a lens & camera combo in mind, let us know and we'll do our best to make it happen!